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A troubled and explosively violent teenager is transferred to adult prison where he finally meets his match - a man who also happens to be his father.

Smart, hard-hitting, and queasily realistic, Starred Up is an instant classic of U. He seems under control, until he is disturbed while sleeping by another inmate and ferociously over-reacts. After trying and failing to talk his way out of the situation, his inflamed, anti-authoritarian streak bursts to life and he proves tricky for Governor Hayes Sam Spruell and his staff to deal with. From here, he encounters two people who may be the key to turning him round: While the harsh reality of prison life is rarely glossed over in any sort of filmed medium, save for maybe Ronnie Barker's hit sitcom Porridge, since the late '70's nothing quite like Alan Clarke's Scum has come close to matching the gritty brutality and hopelessness of prison life, leaving it a genre just begging to be dragged in to the 21st century with a fresh injection of raw adrenaline.

The opening half of David Mackenzie's film seems to rely on atmosphere rather than exposition, with a dialogue light opening half as the lead protagonist is lead to his cell, and made to go through the various rituals and indignities on his way there until the door is locked shut. When O'Connoll first speaks in a cockney accent! Starred Up is hailed as O'Connoll's 'break through' film, and there's no doubt he's running the show here, firmly commanding his presence as the explosive thug with raging personal issues blaring inside him, in a role that he's got form with and suits well.

It's the closest thing he may well have in making him a household name, or at least getting a cult following among some. There are strong supporting turns also from Friend as the impassioned social worker and Mendolsohn as the closest thing to an authority figure O'Connoll will be made to respect. It's a film driven more by the nature of his respective relationships with these two men, and as such it feels more about these human dynamics rather than the story, which by the end has lost it's coherence a bit and loses your attention, despite the ensuing events still holding your attention for other reasons.

Still, sometimes, a film needs to come along that hits you like a punch in the dark, and Starred Up fits the bill perfectly, a brutal, unflinching expose of a world most of us probably don't want to imagine, a little flawed, but mostly solid. For a film that seemed to come out of nowhere, with a limited advertisement campaign and small budget, Starred Up has proved to be one of the more ballsy pictures released in some time - and with a UK release date sandwiched between two major blockbuster sequels, it had to do something to stand out from the crowd.

The main attribute of the film is its acting, most notably central character Jack O'Connell; a career-best performance from our lead protagonist serves as the driving force of the film, immersing the audience so much in the drama of it all that we can't believe we're feeling sorry for the prick we thought we knew in the opening stages. However we all know that good acting doesn't necessarily constitute a good film; but placing such talent in the hands of David Mackenzie and providing a gripping albeit unoriginal story line is a damn good combination.

Despite the many positives, where this film fails is in the variety of on-screen shenanigans. Although it does slowly progress, the day-to-day life on the inside seems repetitive and predictable, particularly when the overall message is all too familiar and practically cliched. All in all however, Starred Up is one of the best prison dramas in a long time, and probably the best British film this year.

Not for the faint-hearted, this superbly acted drama will scare you into following the law to the strictest command. Was far better than i expected Research has clearly been done well. The only other film i can compare it to is "Bronson".. A window into the reality that is British society. Firstly, this is not an uplifting or feel good film, nor was it ever intended to be. If you like your film gritty and pulsatingly realistic, you'd be going back years to find a film that stands up to this.

From the outset, it is clear our young protagonist is fighting not just for survival within a hardened prison wing, but also demons that reside within. Hope is offered in the shape of a freelancing counsellor, which is initially met with disdain during a group meeting. The film then continues to show graphically , the complex arrangements within the prison walls, and how relationships can often start badly, but develop into a more meaningful co-existence ad friendship because of it.

The usual bad prison warden is on offer too, but is done so delectably well. The anger the viewer feels at certain points in this film is palpable from the sheer heartlessness of the authorities. Prisoner's are not viewed with any great sense of humanity, dependant on stature within the the Prison of course.

Ignore the negative reviewers and give this a go. Having never read any Lee Childs novels regarding Jack Reacher, I went into this one with somewhat limited knowledge on who Jack Reacher is and what his claim to fame is. So like many, I read where the "serious" fans were disappointed that Tom Cruise was picked to portray this iconic hero. To them I say, so what, did you watch this movie? In truth Tom Cruise is very good in this role, the movie is fast paced and action packed, the writing is cleaver and spot on, so to those who would continue to pan this movie I say lighten up and relax.

This was a very good movie, Tom Cruise was good in the lead role, the several one-liners were very cleaver and kept a sense of humor in a plot with plenty of violence and too close for comfort realism. This movie was good, it was entertaining, well acted, and should be viewed and enjoyed by all who watch it.

Chix Chat on Film Review: Reacher is the Man! Jack Reacher Tom Cruise is the tale of a very astute ex-military policeman. The army training came in quite handy as he digs into the evidence of a heinous crime that turns out to be not at all what it seems to be on the surface.

I was surprised at how funny the dialogue in this film was, it is definitely not a comedy, but the sarcastic and comedic one-liners kept coming, even in situations that were completely devoid of a humorous setting there was some very amusing conversation.

There was even a scene in which Reacher is attacked in a bathroom that had me cracking up at the bumbling bad guys.

The comedy was heightened even further with the old codger Cash Robert Duvall. As with any film that features Mr. Cruise the expectation is that it will be fast paced and very entertaining, same here. The only thing missing was his trademark sprint to or after something or anything. I've just come to expect to see him running, really running but we are getting older. The trailer is the only kind that I like, the ones that do not give away the whole movie.

David Oyelowo Emerson is one to watch, he is building an impressive resume and it is easy to see why because whenever he portrays a character he is that character. When he played a pilot in Red Tails, I totally believed he could fly a plane. When he was the head of a company experimenting on Apes, I was again thoroughly convinced and I believed every aspect of his being a police detective.

One of the best car chase scenes that I've seen lately was in this film. There were so many attributes of this film that I liked, including the sexual tension between Reacher and Helen Ronin Rosamund Pike that I will just sum it up by saying. Everything just seemed to Jackpot Casino In Bozeman Mt Apartments Craigslist genuine and authentic, even though I know that the fights are staged they looked logistically correct, but Steven Segal did come to mind.

I liked that the film had a legitimate beginning and end, even if there are subsequent Jack Reacher tales to follow, there was no gaping wide open door of a final scene leaving the audience wondering 'What's up with that?!?

But I do hope there are sequels, at least one. I give it a green light. They also didn't have to destroy ten city blocks, have a "clever" hook or feel the need to tack on a social message to justify their carnage. No, all they needed was a reason for some good old steak and potatoes action and a star to anchor it all.

Maybe this won't appeal to the eGeneration who need to have their senses constantly bombarded, but for the rest of us, Jack Reacher is a solid bit of retro-refreshment. Action movie-making done right!

Here's some of my thoughts. There are no spoilers. First off, I'd say I agree with the general critical reception: To me that means it's a solid movie that delivers at the high end of its genre. The excitement here doesn't come from over the top stunts or huge explosions.

Like the action movies just referenced, you thrill to watching a strongly defined protagonist outsmart, outfight and outmaneuver the bad guys. Which brings me to the character of Jack Reacher and the casting of Tom Cruise. After a lifetime spent on military bases overseas, he lives as a drifter in the United States who adheres to a life of zero commitments: No house, no job, no car, no possessions, no family. Oh, and he stands 6'5" and weighs lbs. Clearly Tom Cruise doesn't match that physical description.

What makes Reacher such a great character in Child's books though has far less to do with his exterior than it does with his intellect. If you've read the series as I have, it's a little strange at first. As the film played out however, I got more relaxed and more into it.

This was definitely a movie about Lee Child's hero Jack Reacher, physical differences be damned. Would I have preferred an unknown actor closer to Child's description to play Reacher on screen?

But I could say that about virtually any character, and often do. I generally want unknowns for everything. Which is where Cruise's casting comes in handy a bit. Because his casting sort of guarantees a certain amount of box office, it means the filmmakers can take more chances.


The pounding music cut throughout this scene is a cover of "Satisfaction" by Devo and the result is absolutely brilliant. Being a complete film geek, I generally don't go to films that feature certain stars, I go to films by certain directors and Scorcese is one of them. While this was probably the tenth time I'd seen this film there were more things I noticed, and I'm sure I'll notice more upon my eleventh viewing.

The man is a complete genius, and a gift to film - my suggestion is to watch some of his films, then check out his unbelievable series, "A Personal Journey with Martin Scorcese Through American Movies" which was done the same year as Casino. The series is essentially a primer on the history of film, sectioned off by film genres. You not only will experience his amazing intellect and massive knowledge of film history, but his incredible humility as well. This is one of the best films of the 90's hands down.

Without a doubt this has become one of my favorite movies. I'm not sure why really, I just love it. I think because I read the book and a lot of what happened in real life happened in my little town in Chicago. No names, and my old boss who runs our town grocery store actually knew "Ace". That was always pretty cool to me, since my town really didn't have much excitement.

I guess also because I'm a huge fan of Martin, Robert, and Joe's. When they work together, they create masterpieces. Is it "Goodfellas Part 2", in my opinion, no. Yes, it's very similar situations, but it's not the same plot. It's a little more gory and more bright. Actually that's true, it's not like it used to be. I'm only 20, but my mom and dad told me how different the times were in the 60's and 70's.

Everyone was more close and wanted to know who you were and how everything was going. Everything is more corporate greed now-a-days.

But back onto the movie, it does have gangsta's in it, and with that comes some pretty gruesome violence. No words can describe how wonderful of an actor he is. If you read in most of my comments, you can tell I'm a fan.

This movie is actually what made me into a huge fan of his. He's dialog and image is very powerful and you understand his position. You want to love him, even though technically he's a bad guy too, you still think he is so cool. A lot of people I talked too: What a performance, it deserved more praise. Joe as an actor is very remarkable.

He's only 5' 6'', but he is so intimidating. His speech in the desert with Ace and the big confrontation. But you get past the vulgar language and just enjoy what Joe says and does. The head vice scene and the metal bat scene with Joe is two of the most disturbing scenes in cinematic history.

Sharon Stone, what can I say? What a remarkable performance! She was very much robbed of her deserved Oscar. I was reading in my "Rober DeNiro: A history of his films" that Sharon over shined both Joe's and Robert's performance.

In some ways that is very true. She plays a gold-digging, druggie, drunk, hustling, whore. She is very glamorous in the film though, she is covered in beautiful gowns and jewelery that no guy could ever resist. Her first scene where Robert first sees her and she is stealing chips from a guy who has "hired" her for a night was extremely effective. You can see why Ace fell so hard for her. What a terrific performance in the end. I will go to the police! I'm not protecting you anymore! You hate her character so much, you want her to get what's coming to her, that's what makes a terrific performance.

When you actually want to make sure that this character gets the justice he or she deserves. Sharon, I apologize, you deserved more praise as well. One of the greatest living directors of our time. This film was very wonderfully made with great visuals. The soundtrack really adds a lot, I'm telling you, and the theatrical trailer with the song "Gimme Shelter" by the Rolling Stones, what a great feel.

Martin has been nominated several times for an Oscar, but they snub him. I think because his films are so violent and typical. But they remain classics. I'm disappointed with the Oscars, this man deserves more. Roberts is OK but didn't convince me that Clooney would risk so much for her. Affleck and Cann are good in a sort of comedy double act role - they don't have a lot of scenes but they are funny.

Old hands Gould so good to see him on the big screen and Carl Riener effortlessly steal all their scenes and Matt Damon seems happy to be on a smaller part than the other stars and has a rookie sort of role. Andy Garcia has a poor role as the bad guy and doesn't manage to bring him to life - although he does make him unlikeable when next to Clooney. However, Don Cheadle, a great actor, needs a real kicking for ruining things with a terrible cockney accent that makes Dick Van Dyke sound genuine.

Happily he doesn't actually have that many lines - and he only has two scenes where he has to say more than 2 sentences at a time - but really he is just terrible. Someone please explain - why his character is English?

Then someone explain - why they just didn't get an English star to play it? Overall any criticisms against this are minor and are missing the point. It's not meant to be a classic or get Sodenberg more Oscar nominations. Instead it's a slick little package that is kept afloat by a starry cast, a cool soundtrack and a nice if silly plot. Sit, watch, chill, enjoy, forget. Ok, so maybe the original s film was just an excuse for Frank and his buddies to hang out and make some money out of it, but it was still a smash hit.

Lets face it, if they had all just been sitting there doing nothing it would still have been a highly successful film. People would have paid to see them organise their sock draws. However, this time around with a brand new script and an immensely prosperous cast and crew we have ended up with a film ten times better than the original. In the case of this adaption we are safe in the knowledge that the actors at least wanted to be there and that they all had fun making it.

Firstly because of the fact that they all took pay cuts so that it could happen and secondly because it comes across on screen. The easy friendship between Clooney, Pitt, Roberts et al shines throughout the film and seems to draw the audience in to their inner circle.

We know they had a good time filming it just as we are having a good time watching it. It is easy to say that this is THE coolest film of the year.

From the phenomenal script and direction from Steven Soderbergh to the impeccable easy going performances of the 'stars' - yes every single one of them! With so many big names you would expect some rivalry yet there is no scene hogging in sight. It is clear to see that they are all willing to share the limelight. The fact is that there is no main character or personality. They are all in it together - reflecting the sense of the film in real life.

This is the first concept the audience sees from the poster. The names are printed in alphabetical order. Nobody is given priority. Clooney plays Danny Ocean with the same self - confidence, composure and unmistakable coll that hasn't been seen since Sinatra himself. All the other characters are brand new, that is except for the character of Tess Ocean Julia Roberts. In the 60s original Tess, played by Angie Dickinson, is Ocean's defender to some extent.

However, Roberts' re-vamped character is more self assured and unmoved by Ocean's charm. Rusty Pitt is rarely seen without snack in hand and the suit are certainly something to look at. He may be a new character but he is still played in the carefree manner typical of the Rat Pack. It is refreshing to sit and watch a film such as this and not have to suffer the usual barrage of swearing and violence. The lack of such profanities only increases its wide appeal. It just goes to show that it can be done and that films do not neccessarily need it.

Ocean's Eleven is not your typical heist movie. To start with there are eleven people working together all with specific, indispensable jobs to do. Yet the mood is still light hearted which makes it even more compelling to watch.

The inspired direction and flowing script assure that there is never a dull moment and that every scene is important, as is every character. There are also a couple of cameo appearances from some other big names to look out for. Admittedly there is a bad side as there is in every film. In this instance it is Don Cheadles's cockney accent. Nice try but not quite right! This is a film that will keep you fascinated the entire time you are watching.

It does not conform to the conventional values of the genre that we have come to expect. The twists and turns guarantee that by the end you will be sitting there thinking 'that was really clever'. Perhaps it isn't quite what you would expect from such a star studded cast and an Oscar winning director. But that is why it is so much better than the archetypal Hollywood blockbusters that we have come to expect.

This is no run of the mill film.

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