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Ghost continues the second set trend. This time it opens the second set. Trey starts things out with an extremely light series of notes. Mike and Fishman enter and the start is pretty ugly. We are a long way from the sweet Trey loops. This pretty much explains was that Ghost start was like…. The solo section gets a lot more Trey love than usual. In fact I would say he is the dominate player.

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Page and Mike move to much more of a backup role. The pause is a touch longer than normal. The drop in pretty much nailed. Way to make up for the beginning fellas! As I have said before when they nail the drop in, they jam just seems to explode with energy. Trey starts the jam out with some soloing and Page falls right in line on the piano. Immediately they find a great groove.

Page finds some gorgeous melodies early starting at the 4: A deep bass from Mike gives even more life to the light heavenly Page melodies. Trey starts to move up the scales at around the 4: The band is in a nice balanced groove. Nothing is forced, and the results are sounds that fall very easy on the ears.

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Although Trey is the heaviest force in this section, I am most impressed with Page. His tone and timing is what gets me moving. That being said, around the 6: His varying frequency of notes, adds a ton to this jam. Trey elevates his pitch at the 7 min mark, and it feels like this jam is building. Trey starts to repeat a lick and then lets the air out a couple seconds later. He is clearly out in front of this jam and doing quite a bit of soloing. When Trey is completely away from that repeating lick at around the 8: Mike and Fish have been providing much of the background work in this section with Trey and Page taking center stage.

Here comes the Borg? Things start to get super crazy, and out there, around the 9: I think that might be the Borg coming back…! Wait we never had a Borg gif the first time!!! Time to change that! Just as soon as the Borg makes an entrance, it disappears. It is always there.

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What I like about this jam, is that just as the things get spacey and nuts, the jam moves back to more traditional routes. Eventually the return to Earth wins out…. He returns gloriously and in full force by the At that point Page moves to the organ and the band continues to work great contrasting sounds. Things are starting to get pretty cool… I need to say this. Troeges Nugget Nectar is an amazing beer.

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If I have ever go to death row, I feel like this is part of my final meal. Page is there sprinkling in hints of piano.

This is some cool stuff. This section makes me feel like I am running. The weird part is I am running at a pretty fast pace, yet it is a relaxing run.

I just re-read that last line. The fast pace relaxing run, breaks down even further at the Some Euro Gold Casino fly by and then Mike finds an awesome tone. He works that fantastic bass into this jam and sends it in the proper direction…Way away from reality…. A gorgeous run of notes from Page starts at Trey switches his tone back at the This time is will not just be a fly by.

Mike and Fishman are extremely awesome in this section. They provide the jet fuel for this Borg spaceship to fly through the jam. So we have only been hinting at the return of the Borg.

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This is what I am talking about! An almost funk groove from Mike, light-hearted cymbal work from Fish, and the end of the Earth from Trey. This sections kicks ass. I can hear that death march funk bass line from Mike in my sleep.

Not sure if that is a good thing or a bad thing.

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Actually I know what it means. Mike Gordon is an incredible musician. Mike backs off around the He begins to solo and venture things even further away from what I think was once a song called Ghost. The two work together and start to build the end of this jam.

Mike meanwhile, moves underneath with another outstanding lick. Fish and Page again balance the contrast. It starts to slow, but not before some more outstanding Page melodies before the jam comes to a last breath. Oh and then Trey plays an enormously loud melody that has nothing to do with anything….

Eeek, another extremely tough Ghost to judge. This is a lot of 2. There are parts that drag on a bit for me without a fluid feel. Then just when I start feeling like the jam is not going anywhere we reach Type 2 magic. The end section of this jam is outstanding. Way out there, risky, and a memorable bass line from Mike.

Beautiful contrast from the band and a variety of different styles. It is another great version. This is such an interesting thing. Have you heard the first set?

Bruce the night before, arriving to this gig after doors were open, etc. Pretty awful, and Trey even mocks him over the mic, asking if there is anybody in the crowd who can play bass. This Ghost is great, though, and Beau Rivage Casino Biloxi one cool thing I noticed.

In the section where you imagine yourself running, Trey actually does some awesome layering by looping his guitar riff and then plays over it. February 11,1: Leave a Reply Cancel reply.

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This pretty much explains was that Ghost start was like…. The solo section gets a lot more Trey love than usual. In fact I would say he is the dominate player. Page and Mike move to much more of a backup role. The pause is a touch longer than normal. The drop in pretty much nailed. Way to make up for the beginning fellas! As I have said before when they nail the drop in, they jam just seems to explode with energy. Trey starts the jam out with some soloing and Page falls right in line on the piano.

Immediately they find a great groove. Page finds some gorgeous melodies early starting at the 4: A deep bass from Mike gives even more life to the light heavenly Page melodies.

Trey starts to move up the scales at around the 4: The band is in a nice balanced groove. Nothing is forced, and the results are sounds that fall very easy on the ears.

Although Trey is the heaviest force in this section, I am most impressed with Page. His tone and timing is what gets me moving. That being said, around the 6: His varying frequency of notes, adds a ton to this jam.

Trey elevates his pitch at the 7 min mark, and it feels like this jam is building. Trey starts to repeat a lick and then lets the air out a couple seconds later.

He is clearly out in front of this jam and doing quite a bit of soloing. When Trey is completely away from that repeating lick at around the 8: Mike and Fish have been providing much of the background work in this section with Trey and Page taking center stage. Here comes the Borg? Things start to get super crazy, and out there, around the 9: I think that might be the Borg coming back…!

Wait we never had a Borg gif the first time!!! Time to change that! Just as soon as the Borg makes an entrance, it disappears. It is always there. What I like about this jam, is that just as the things get spacey and nuts, the jam moves back to more traditional routes. Eventually the return to Earth wins out…. He returns gloriously and in full force by the At that point Page moves to the organ and the band continues to work great contrasting sounds. Things are starting to get pretty cool… I need to say this.

Troeges Nugget Nectar is an amazing beer. It makes me happy about life. If I have ever go to death row, I feel like this is part of my final meal. Page is there sprinkling in hints of piano. This is some cool stuff. This section makes me feel like I am running. The weird part is I am running at a pretty fast pace, yet it is a relaxing run. We understand the importance of education and preparation, and do our best to provide an outstanding educational experience.

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Creative Minds Academy's Aftercare Program offers academic and recreational programs for children after school. In addition, we also offer special programs for early-release and no-school days as well as programs for the winter, spring, and summer break. Our program is run by a Certified Instructor ensuring that each child is in a safe and engaging environment, having the opportunity to complete their homework assignments. We offer homework assistance and tutoring if needed.

We create a relaxed atmosphere where children can explore their creativity in the art room, shoot hoops on the basketball court, or relax in our media room and read a book. We draw upon the most effective academic, fitness, and nutritional programs to make learning more fun and keep them challenged. Infants "A baby is born with a need to be loved - and never outgrows it. Exploration and discovery is just the beginning for your young observer and we understand the importance of ensuring a safe, nurturing, and educational environment during these early years.

The care for your child should not be taken lightly and because we understand this, our teachers have special training in infant care. We love, cuddle, sing, and stimulate them through play by using physical movements to develop strong bodies. If I have ever go to death row, I feel like this is part of my final meal. Page is there sprinkling in hints of piano. This is some cool stuff. This section makes me feel like I am running.

The weird part is I am running at a pretty fast pace, yet it is a relaxing run. I just re-read that last line. The fast pace relaxing run, breaks down even further at the Some lasers fly by and then Mike finds an awesome tone. He works that fantastic bass into this jam and sends it in the proper direction…Way away from reality…. A gorgeous run of notes from Page starts at Trey switches his tone back at the This time is will not just be a fly by.

Mike and Fishman are extremely awesome in this section. They provide the jet fuel for this Borg spaceship to fly through the jam. So we have only been hinting at the return of the Borg. This is what I am talking about!

An almost funk groove from Mike, light-hearted cymbal work from Fish, and the end of the Earth from Trey. This sections kicks ass. I can hear that death march funk bass line from Mike in my sleep. Not sure if that is a good thing or a bad thing. Actually I know what it means. Mike Gordon is an incredible musician. Mike backs off around the He begins to solo and venture things even further away from what I think was once a song called Ghost.

The two work together and start to build the end of this jam. Mike meanwhile, moves underneath with another outstanding lick.

Fish and Page again balance the contrast. It starts to slow, but not before some more outstanding Page melodies before the jam comes to a last breath. Oh and then Trey plays an enormously loud melody that has nothing to do with anything…. Eeek, another extremely tough Ghost to judge. This is a lot of 2. There are parts that drag on a bit for me without a fluid feel. Then just when I start feeling like the jam is not going anywhere we reach Type 2 magic.

The end section of this jam is outstanding. Way out there, risky, and a memorable bass line from Mike. Beautiful contrast from the band and a variety of different styles. It is another great version. This is such an interesting thing. Have you heard the first set? Bruce the night before, arriving to this gig after doors were open, etc. Pretty awful, and Trey even mocks him over the mic, asking if there is anybody in the crowd who can play bass. This Ghost is great, though, and has one cool thing I noticed.

In the section where you imagine yourself running, Trey actually does some awesome layering by looping his guitar riff and then plays over it. February 11, , 1:

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Trey starts to move up the scales at around the 4: The band is in a nice balanced groove. Nothing is forced, and the results are sounds that fall very easy on the ears. Although Trey is the heaviest force in this section, I am most impressed with Page.

His tone and timing is what gets me moving. That being said, around the 6: His varying frequency of notes, adds a ton to this jam. Trey elevates his pitch at the 7 min mark, and it feels like this jam is building. Trey starts to repeat a lick and then lets the air out a couple seconds later. He is clearly out in front of this jam and doing quite a bit of soloing.

When Trey is completely away from that repeating lick at around the 8: Mike and Fish have been providing much of the background work in this section with Trey and Page taking center stage. Here comes the Borg? Things start to get super crazy, and out there, around the 9: I think that might be the Borg coming back…! Wait we never had a Borg gif the first time!!! Time to change that! Just as soon as the Borg makes an entrance, it disappears.

It is always there. What I like about this jam, is that just as the things get spacey and nuts, the jam moves back to more traditional routes. Eventually the return to Earth wins out…. He returns gloriously and in full force by the At that point Page moves to the organ and the band continues to work great contrasting sounds.

Things are starting to get pretty cool… I need to say this. Troeges Nugget Nectar is an amazing beer. It makes me happy about life. Wir empfehlen die Symboldarstellung, um Dich mit den Symbolen in der Komponentenpalette vertraut zu machen. Dies wird Dir auch helfen Definitionen auf einen Blick zu verstehen. Dies wird die Position der Komponente in der Palette anzeigen. Eingabeparameter von Komponenten erwarten, bestimmte Datentypen zu erhalten.

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