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  1. You'll often see classic and traditional things printed with a humanist serif typeface, like books and articles. The font in the image above (Adobe Garamond) is a Humanist serif typeface. Transitional serif typefaces have sharper serifs and more contrasting strokes to create a style that's strong and dynamic,  Missing: prizes ‎casino.:
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Other characteristics of Humanist typefaces are small x-height, and low contrast between strokes. The font in the image above Adobe Garamond is a Humanist serif typeface. Transitional serif typefaces have sharper serifs and more contrasting strokes to create a style that's strong and dynamic, and is often used in law or academics.

The influence of a pen is gone with Transitional typefaces. An example of this is through the vertical stress in the bowls of letters, meaning the thinnest part of the letter. Georgia and Baskerville are Transitional serif typefaces. Slab Serif , or Egyptian or square serif, typefaces have heavy and boxy serifs with almost no contrast in the strokes of the letter.

This creates a friendly yet authoritative feel, like in a marketing application. New typefaces were needed for advertising and such, so a bolder typeface was needed. Monospaced text is often considered to be Slab Serif.

Popular Slab serif typefaces are Courier and Rockwell. Sans Serif Sans serif typefaces are considered more modern than serif typefaces. They lack the strokes that distinguish a serif typeface, hence the use of the French word, "sans" which means without.

Sans serif typefaces are often used to signify something clean, minimal, friendly or modern. Some of the most popular sans serif typefaces are: Sans serif fonts are often used on the web for large groups of text because of the lower DPI dots per inch that screens have compared to print.

There are three main types of sans serif fonts: Humanist Sans Serif typefaces emulate calligraphy and have minimalist contrasting strokes. These design of these typefaces are good matches for small text and small text, to they're often used in government, education or finance work.

Gill Sans and Whitney are considered Humanist sans serif typefaces. Transitional sans serif typefaces have strong strokes and more upright and uniform characters than Humanist typefaces. Their unassuming and modern feel works great for tech and transportation writing. Our girls' cotton knit pants are as comfortable as sweats, but as versatile as jeans with an easygoing boot-cut style and ultrasof Smooth cotton jersey with spandex.

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Top lined in the front; bottom fully lined. Resists chlorine and snags to keep its good looks. Give her a complete look in this girls' Little Lass set with its coordinating poncho, tee and jeggings. We do have a comb, but it is never used. The hairbrushes bristles were pointing up. Why did it annoy me? Well the first thing is that it blended in, it was pretty much the same colour as the couch. Then, what if I sat on it? We don't brush our hair in this house, so faced with the realisation that i'm sub-conciously against brushed hair, I turned to you.

As I scratch my back. Little pieces of text fall off. Or was that from the plaster cast? Which - i'm well aware - is not a poem, but a trophy. To the extent which is best decribed by the foot. The foot [without socks] being the open mouth in this case. The file; the hand's thought's record. The thoughts hands record.

About a way of doing things. Yet, objects - but only some typefaces - seem to acquire meaning over time [antecedant to their inception]; the original intention if any is distorted; due to conceptual and abstract circumstances in the first place. So it is also about circumstances. But these seem to be surpassable, or superceeded i.

Full of possibilities and dead-ends. So, Design, where do YOU come in? Describe going around the world by gesturing wildly with your hands, and then your place within that world with your body.

While that goes on in the lesson — in the vacuum of a nervous gasp — the broken [grammatically incorrect] answer plops out. The right combination of chemicals towards acceptable behaviour, right?

As it commonly isn't. Death shave, or was it death drive. The runt of the litter. Flame licks, as if affectionate. A suggestion of blackness outside the image. Fresher than flowers, fawner than fawns. For the process to be kept alive the means were collected and kept so we could use them again. He was in suddenly in a group — the receiver — his dream. He decided that we don't need to record them, they do it themselves; to send all over the place.

An insect crawling on my neck, i'm ready. Nelly was a train, she rode the class in perfect noise! The images of the milky, perfect, kids were hung. A night in the 'F'. The haunted practitioners of letter-design live in the beautiful forest. She toils over his work, he toils over hers. The glasshouse next to the old bomb shelter used for storage, but in a state of readiness is covered in moss, faeces and plastic netting. Where they lay each other down and talk about function.

About making signs and being signs. They make this joke to each other: Bent around the chair leg is a set of curves. Infact, curves cling to all furnitures in the covered-up glasshouse. In the night hours, when the internet connection is at rest, they work on the spacing.

In the daytime they trawl and draw, on screens and on sheets and scraps of paper. Like one of their colleagues, they sometimes use experimental methods to find forms.

They often desire to describe something and are torn, because they have little contact with the people who will eventually use their work. They also know that the world is somehow fucked, or was it always this way?

How do you design that into a typeface? Was it the image of the devices they wanted to reflect or more to confirm their usefulness? Both seemed like rather finite options. Like engineers, he dreams of an alphabet of essential forms; she takes from the ordinary forms of nature and the social world.

Well, until the new one comes along, that is. One of the unique things they would do — that no-one could know about — was to make things that they hated but knew would be acceptable. A kind of a definition for a service-practice! The name of the one they are working on at the moment is 'Mandy', she is their longest and most complicated project; because there is no intention, no projected ambition, no projected need — they are doing it because they want to.

She is designed from pencils that lie in icecream containers on the floor, all over the glasshouse. She is also designed by intuition, rather than normative approaches to the process. She can't be traced because it is a life drawing [in mind]. She might be slightly illegible, poor thing! She is only intended for those who accept certain ideas and conditions for her use and will only be distributed with this intent. Lunch time, waiting in the sun until an important delivery can be made.

A reading on, not the final word. How was I supposed to know you were sick? It's more about the design, that's hard! A reality check [the club], even harder! Stealing from each other is exchange and a consequence of that is solidarity. It's not really following if you aren't involved and it's not really stalking unless you never meet.

To put this back into forms When was this exercise invented? It's time to make a break, you never! Why is everone into rocks and stones at the moment? Why doesn't social networking work? Why is my hairdresser asking me such private questions? Why are people who are now activists also classy artists? Why is cooking so important? The world operates, is awash, with blue blood and it's entrenched mechanics.

They have the power to make the red flow and also active it's neurons — in their favour and for their productions. Perhaps the blue is the ocean? Once symbolic for discovery, or maybe even imagination before it was commercialised. Yet, the lag of this idea permeates nearly everything we do or see. To be subjected to this, it's repetition, and the occasional utterances of dissent like islands seem the best we can hope for.

Blue's dominance must be diluted. If I see another nice cotton shirt with a bad tie, jeans and shoes i'm gonna puke. This one goes out to the provocative Party Poker. Standing around in an exhibition listening to a practitioner describe themselves, quite funny. At exactly the same time I enjoyed the sense my hand makes patterns when employed. Or, When it had jobs that is. I felt this could only be figured out by tracing. Tracing spoiled and bored. Differences in approach and attention span.

Interested in hand and decorative mystics that you go through. Something is missing, which hurts. Some have the JOY, or a charasmatic set of approaches to things, some don't. What was DES again? Design was the books dream. Design isn't thinking made visual, it is more like dart-board wires, unloved in the community — until now. Pub sports; Casino sports. Not healty, but connected to certain skills, which are now to be considered SPORTY as they are sponsored and broadcast.

A once hidden type of person is now on the screen, the bedroom, backroom, pub-type person. If you think about it, concepts are still more valuable than work and objects. A concept is your pay packet. A concept is a trace and a cultish thing.

It is equally elusive and strong. A reflection of the time we are in. This is why universities are cashing in, to the detriment of the actual thing they are supposed to be doing. Which should be called experimenting. Instead the mandate is to hide things. Is the skeleton — the 'thin' — the noun that can help you truly question something, in an esoteric sense? As describing a fragile invariance. This will to steal from others, not own. Not necessarily successful, 2. Collabrative [not tacit, or 'socialised' talk], or at least collected ; 4.

Must inspire jealousy-magic challenging and evasive, irritating ; 5. More than usual; 7. Desparate and curious; 8. Not imitative, in a fetish way; Contributive to the field; Design is the thing that comes in. The hotel that i'm staying at sounds like they are dragging bodies around in the kitchen In between button, screen and test. And that is not the thing that is eventually produced. But the production's result behaves like the final thing.

The plane was no longer a flicker, but a tube-y object sucked on by a walking gate. It was an older model and the insides of its decals looked drought-ridden. Also like chemical symbols - indicating their current nature based both in visual representation and scientific observation.

A sort of ossification, we are always referrring to our bones. A weird, prevailing feeling of cynicism; that is probably digitisted fear. I'm a sponge this week, "Language is a photo, on which the resolution of it's own image depends". Sitting here, in different places during the day, a location stripped of the work of joy and replaced with it's — perhaps more fascinating — derivatives. Or, is this just always manifest in a nervous presentation? Against these manoeuvers others make conributions.

Promise self not to say "discussing the notion" A promise as if it was only a line Thing that's always there, a double adumbration. RADAR, then found to contain a matrix for making early digital type light , and also this became a tool for weather prediction and also TV advertising. This older way to do design is quite interesting, it takes longer, it is a kind of 'enthusiasm'.

On reflection the other way begins to seem kind of lazy, perhaps because it's familiar. With this application, the things in the background are the things that will be printed invisible.

Every decision seems to have a consequence on everything else, if multiplied I want to do techinical things but worry about the nature of them as thoughts. That there are all of these things to be reduced feels nonsensical. Or, is it my job to undo this? Unlike shadows, which are always a bit see-through. With intention built in but with no inherent meaning , both function and void.

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Geometric Sans Serif typefaces use geometric shapes to form the backbones of the letters, which creates a strict, objective, and universal feel.

The letter forms are often simple. So letters like "a" that have an opening would be circular or square and then repeated with other letters that have the same type of opening. Geometric typefaces are often used in science or architecture. Geometric typefaces can be more difficult to read. Script Script typefaces are considered decorative fonts. They're intended to look like they were handwritten or like calligraphy.

They're not a great choice for body copy, because of their lack of readability. Script typefaces are also more fluid than other typefaces. Like serif and sans serif typefaces, there are different kinds of scripts that have different meanings.

A script typeface can have a strong personality and should be examined carefully before selection. After all, Comic Sans is technically a script typeface. Formal typefaces get their inspiration from 17th century formal writing. Traditional wedding invitations use formal scrip typefaces. They're often used for decoration and for elegant or sophisticated works. Mahogany Script is a Formal script. Casual script typefaces look the most like handwriting, since they're usually more friendly and appear to be drawn with a pen, maker, or brush.

Casual typefaces are often used with in ads and more informal settings since they often look like they were written quickly. Black Jack is an example of a Casual script typeface. Calligraphic script typefaces are meant to look like handwriting that's fancy. These typefaces, like casual script, often look like they've been created with a calligraphy pen or brush. Bombshell Pro is calligraphic script typeface.

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Restricted by the tongue lapping on the inside of the mouth. And some cramped fingers. The acquired parts for making seem — essentially — each time the same and yet the process is always very different, so backwards Maybe you must act in-kind to the matter in the outset. This must be how it becomes activated and finally able to transmit clearly back inside? Apparent, maybe, but not obvious. In not an entirely pleasing way all software has started communicating, don't worry, it just happens in the background.

You might be happy about it! In this place backgrounds and skeletons become very important. Not there to be fully-noticed, just fully-functional. These things that seemingly aren't even 'made', they simply nowadays at-least exist; contingency?

Makeable additions, always mutable, transforming, communicative, anesthetised [vice-versa]. Acting with a thing.

Being told and op- positioned in a forceful way towards it, from influence to subject. There is the dialogue which takes the outcome back to influence again. There is the dialogue repeated. Adding all this up, these seem to be the possibilities available for now — maybe the most overlooked. Now that might be a meeting: Fields of paradox, but of inspiration. Ambivalence, that of choice. Fallacious, like the melody.

Method, familiar, all wound-up; strangled. An instance of Memory that might cause chaos. Image the bastion and text full of contranyms. Just try to justify your own now-a-days when going it alone. When did this change? INTENTION to risk and to find it's vocabulary by decipherment to find lost details, obliterated because of the limitations [and needs] of design software find a place called context re-visit the consequences of roles changing, and instigation of said new-roles in accordance: Begun in process, then becoming outside of it.

Development - is this why all the performances? The human printing press , I finally saw it. After years of producing he finally became. The process, the transformation, are to easy to compare. The starting point is clear enough: Then material is then added a level of aesthetics and arrangement layout, formal decisions. BUT, suddenly something is missing! Output is the usual design object - a contrivance.

Like they ate the ink, but only with the intention to please others. Did it take courage? Repetitious drawing of curves to makes forms will eventually result in [a set of] sensible and legible patterns. The light that was sucked back in kinda sucked! Sucked out of the air. Saw a child's bicycle parked out the front called 'Snake-King'. Impossible to describe what that looks like.

The spit drips off the pencil, missing the page but only just. The way it's written, signed. Never a way with words. Keep an eye out for the too prolific — they are bound to be completely dogmatic, y'know? Graphic designers are generally mis-using the word research in two ways. The first is that conclusions that might result from an editing process are rarely offered, facts remain facts, only beautified.

The second is that the word 'research' becomes conjuntional: The appearance that that would be of any help, or use, to anyone else is whimsical and produces enormous amounts of waste.

Maybe these things, instead, could be called 'exercises', 'investigations' or 'collections' - their graphic form is usually not translating the content but only formalising it.

Can graphic designers only answer questions that are given to them? What does this mean? A watch viewed as a demon. A demon viewed as a watch. All children fall flat. You just say anything. How, can, you, say, anything. Why put this in public? The dog could see the park. The dog, on the leash, could see the park.

My friend told me: All our formal properties are transferred to the creation of objects. The hair on the porcelain fallen, a letter. Meddeling with ideas that he stored in his lover. Bursting out the thighs. The female dance-music voice, also a type. A stylised representation, a mimetic object, used like a typeface. Pale, can't get comfy in this seat. Next to me playing card-hands. Out the window, a void.

Standing outside is always anticipation. Like the cover, annexed. I can feel these people. I can hear the ones that will speak. The anticipation is complicated. During the typing I know there have been thoughts erased.

Not presumed as important, or neccesary. The room is cold. The air is thick with sandwiches and mumbling. If only it adds to the content. The allure of business is violent, a sport. The structure of this society a super-imposed series of mixed and hierarchical messages, a sport.

It's quite funny that guys, about my age, begin to write like this, these kinds of things. Kind of sad in a way. Already in a year I've seen most of my opinions change. That's what seems to happen.

What follows, is usually contradiction and prospective grappling with materials. The gamble begins, the big ape. When in doubt, use reggae colours. Finding your way with a new language. A photograph of a well-kept hedge, a metaphor, obligatory and universal - we get it. Little flies wandering around the stainless suface.

People chatting about porno on the left, not really being able to hear the right. Are you little flies out of control when you fly? It seems that way. Weak shapes, quick from the hand. Especially — conceptually — weak. Doubt eyes the hopeless. In the bedroom the little peg lying on the ground looked like a mistake.

I wondered, it being small, then all of a sudden looking bigger and slightly fierce-ish — not pretending because a peg can't pretend — what was it doing there? Close to the floor everything looks longer. Cramped conditions, dampered with soft-card forms, recording in, leaving. My desk, a game of piles, annoying to me. Sanding an object older than an average life-expectancy, restoring and preparing the surface: The object's history manifest as a distribution channel of passing, periodical and elementary thoughts within a family system.

On three separate occasions now i've seen women writing in foolscap note books in Amsterdam Central station. Always the lines are filled up to the brim; justified: Breathless, continuous, steady, text.

This was exciting to see, this was quite inspiring. Should we write more in public this way? Drug-addicts imitating architecture, yes; becoming the shape of the archways, roofs and screens — they are also their shelters. Supporting the spaces they occupy; themselves. Without them these spaces would also be empty. Endearingly rendered flat composition. Sunday if [it was] a full daisy.

A generation of Dutch Designers is slowly dying. It don't take much to say "Alright! Is design always to be about the expected? Out of your parents bedroom, a flat, a hotel room: What flows, rather than the object?

That would be a sort of historical ephemera [sentiment] paradoxically remaining in the present; our written articulations of success and failure are still clearly templated The DVD logo looks like a tribal mask. The mouth of the sock, looking for the other. Publications looking through cracks. Soft, brittle, feeble, fragile, unsure: The forms I prefer. Tracing can be an incredibly fruitful exercise, but where precisely does it lead to?

I know it has an effect on thought. I know that it also leads to a type of development. Someone always asks "what is critical? Then there is a quiet lack of time, so, we wait. That this LED light is related to falling snow is a nice metaphor. It looks like it is merely something to trace over to make words. An exercise that was related back to the diagram the first thing he saw that made sense on his arrival in the big city as well as his own-versions off-shoot.

The possibility of creating an awareness of spaces. Do these readings have a right to turn themselves back on the world? For a slight second I saw his wrinkled, coloured hand suctioned onto the cold bench-top. It seemed to mimick the relentless downloading of me and my peers.

He was more worried about being trapped in the airport. Outside, the wind went through their teeth. This note will eventually snake-over into an earlier one. What if the alphabet was comprised of more dis-connected elements, more 'satellites'? Would this open up the possibility for more juxtapositions, more meanings? Or, would it just be a pain. Hoping the message will be seen before the knowing of who did it.

There is one, built in, repeat. Generally you begin to develop a working process by using forms and struggling with and through the development of them towards something meaningful. How is intuition to be included in this?

Flock to the work like seagulls. Pick at it like seagulls. Or do little like frogs. Forced reading patterns on websites are completly irritating and formalise perhaps more interesting uses of hypertext. This is where my mum cried the next part of her soul away — for the stupid doctors and nurses.

Flecks of sugar on the table, dust on the balustrade; dog hair almost everywhere. These were the details in the slightly unkempt home, representative of the current psychological state of it's occupant.

It's been a while. Funny thing is that it is a hairbrush on my couch that has inspired me to touch you again. We don't have a hairbrush in our house. We do have a comb, but it is never used. The hairbrushes bristles were pointing up. Why did it annoy me? Well the first thing is that it blended in, it was pretty much the same colour as the couch. Then, what if I sat on it? We don't brush our hair in this house, so faced with the realisation that i'm sub-conciously against brushed hair, I turned to you.

As I scratch my back. Little pieces of text fall off. Or was that from the plaster cast? Which - i'm well aware - is not a poem, but a trophy. To the extent which is best decribed by the foot. The foot [without socks] being the open mouth in this case.

The file; the hand's thought's record. The thoughts hands record. About a way of doing things. Yet, objects - but only some typefaces - seem to acquire meaning over time [antecedant to their inception]; the original intention if any is distorted; due to conceptual and abstract circumstances in the first place.

So it is also about circumstances. But these seem to be surpassable, or superceeded i. Full of possibilities and dead-ends. So, Design, where do YOU come in? Describe going around the world by gesturing wildly with your hands, and then your place within that world with your body.

While that goes on in the lesson — in the vacuum of a nervous gasp — the broken [grammatically incorrect] answer plops out. The right combination of chemicals towards acceptable behaviour, right? As it commonly isn't. Death shave, or was it death drive. The runt of the litter. Flame licks, as if affectionate. A suggestion of blackness outside the image.

Fresher than flowers, fawner than fawns. For the process to be kept alive the means were collected and kept so we could use them again.

He was in suddenly in a group — the receiver — his dream. He decided that we don't need to record them, they do it themselves; to send all over the place. An insect crawling on my neck, i'm ready.

Nelly was a train, she rode the class in perfect noise! The images of the milky, perfect, kids were hung. A night in the 'F'. The haunted practitioners of letter-design live in the beautiful forest. She toils over his work, he toils over hers. The glasshouse next to the old bomb shelter used for storage, but in a state of readiness is covered in moss, faeces and plastic netting.

Where they lay each other down and talk about function. About making signs and being signs. They make this joke to each other: Bent around the chair leg is a set of curves. Infact, curves cling to all furnitures in the covered-up glasshouse. In the night hours, when the internet connection is at rest, they work on the spacing. In the daytime they trawl and draw, on screens and on sheets and scraps of paper.

Like one of their colleagues, they sometimes use experimental methods to find forms. They often desire to describe something and are torn, because they have little contact with the people who will eventually use their work.

They also know that the world is somehow fucked, or was it always this way? How do you design that into a typeface? Was it the image of the devices they wanted to reflect or more to confirm their usefulness? Both seemed like rather finite options. Like engineers, he dreams of an alphabet of essential forms; she takes from the ordinary forms of nature and the social world. Well, until the new one comes along, that is.

One of the unique things they would do — that no-one could know about — was to make things that they hated but knew would be acceptable.

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