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  1. Slow Motion Rueda de Casino dance video with Clemy & Adina, hope it helps you learn the basic step (also.:
    Group of Houston-area dancers and nguyensan.me particular form of Salsa dancing (where multiple. Lesson in a variety of rueda moves: cuban basic step, damé (take the girl on your right), suena (stomp your. nguyensan.me The Cuban Basic Casino Salsa Rueda Missing: woman.
  2. Figures of the Rueda de Casino. Rueda De Cacino. A list of moves. Buy here your video's of Salsa and Rueda . After cross body lead or stop and go, pulse the lady and bring her to the right side under the left arm as she does a half turn to face you, (leaders move to where ladies started). Then step to the inside to pass.:
    Cubano, Cuban, Leaders move side to side in front of followers, El Dos, Enchufa · Dame, Give me (one), video (Media Noche). Move on to the next follower, Tarrito, Cucaracha · Dile Que No, Tell her no, video (Media Noche). Cross body step, None. El Pozo, The well, Bring up water from a well, None. Enchufa, Plug her  Missing: woman. Rueda de Casino is a way of dancing Cuban salsa where pairs form a circle (in Spanish, rueda means "wheel"), and partners frequently swap. . Cien (one hundred); Coca-Cola lady into Coca-Cola> {Media Noche video}. Rueda de Casino (Rueda) is a particular type of Salsa round dance, born from Casino. People incorrectly call it "Casino Rueda" or "Cuban Salsa." The origins of the name Casino are the casinos deportivos, the dance halls where a lot of social dancing was done among the affluent, white Cubans during the midth century.
  3. 11) Cubans not only dance casino in male/female partners, but have forms that are communal such as: • rueda de casino: several couples dancing in a circle with a leader calling the moves • trios and cuartetos de casino: one man dancing with two or three woman • casino suelta: many people line dancing with a leader.:

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In , the first International Rueda de Casino Multi Flash Mob took place in which people from 67 countries, including cities, danced Rueda de Casino simultaneously. The differences between the Miami-style Rueda de Casino and the Cuban-style Rueda de Casino are stark, and these differences can be seen throughout the performances of the groups that participated in Many moves have hand signs to complement the calls; these are useful in noisy venues, where spoken calls might not be easily heard.

Most moves involve the swapping of partners, where the partners move around the circle to the next partner. The combination of elaborate dance combinations and constant movement of partners create a visually spectacular effect. The names of the moves are mostly in Spanish, some in English or Spanglish ; e.

Some names are known in slightly different versions, easily recognizable by Spanish-speaking dancers, but may be confusing to the rest. Although the names of most calls are presently the same across the board, the different towns in Cuba use their own calls. This is because the pioneers of Rueda de Casino wanted to keep others from participating in their Rueda. Many local variations of the calls can now be found. They can change from town-to-town or even from teacher-to-teacher.

There are many different variations of moves in Rueda de Casino. The circle will either start from "al Medio" normal closed hold with all the couples stepping in and out of the circle or from Guapea stepping forward on the inside foot and backward on the outside foot, tangent to the circle. Some of the most common moves in Rueda include: Dame, Enchufle, Vacila, and Sombrero. You can readily find an extensive list of Rueda de Casino moves in various websites.

For example, the hand signal for Sombrero is the caller tapping the top of his or her head. Rueda de Casino scenes may be seen in the movie Dance with Me and in the music video clip No me dejes de querer by Gloria Estefan. Rueda de casino dance may also be seen in the documentary film "La Salsa Cubana.

From Wikipedia, the free encyclopedia. This article needs additional citations for verification. Please help improve this article by adding citations to reliable sources. The leader turns to the right under his arm and immediate goes for the next lady passing his last partner on the inside. Closed fist held up, arm moves up and down, like pulling on a truckers horn, and Same as the single and double Enchufle, but adding a bit of abuse to the end.

After she completes her move to the right side, and as the leader steps to the inside to pass her, with his right hand he taps the top of her right hand which he is still holding and then taps her forehead. All this in time to the music. Do 3 or 4 if called Enchufles in a row with 1,2,3 or 4 claps just before picking up the next girl. Do 1 clap after the first, 2 after the second, etc. Same as an Enchufle, except you put your hands together and dive up to the next girl.

Leaderss finish this pattern facing counterclockwise, and do not pick up the next partner. This can be used to initiate arriba, abajo, aburrete, pa' el medio, etc.

The claps are initiated on the leaders left foot, just after leaving your partner to pick up your new lady. Then the leaders and ladies salsa mummy-like in and out towards, then away from each other until the caller stops the terror with 'alli nada mas'. Then do a cross body lead to get back into the Rueda. Use the momentum of your arm as it comes out and down from the enchufla turn to initiate your right turn.

You stay with your original partner unless the caller calls 'dame'. The leaders can embellish this by getting to the inside with a quick hook turn at the end of the counts. As soon as you are facing the next lady, leaders lift and pass under ladies right arm to next partner.

Same as Festival de Enchufle, but doing Adios instead. Same as above but after lifting ladies arm up step through and turn left bringing her arm down when you complete the turn.

Leaders step toward the next lady with his right arm reaching over his left arm, which is still holding the ladies right hand. Then let go and grab next partner. Wave good-bye then hand to the chest Start with the same half spot turn to the right as above, but as soon as leaders face center, lift ladies right arm and step towards center then turn to the left whipping around to face your partner.

Leaders backs are to center, look at your partner. Pulse her and bring her to the center passing in front you and under your left arm, at the same time leaders switch positions so now they face center and ladies face them.

Next pull the ladies out of center and directly not under an arm to leaders right side catching with the right arm on her back. Ready for the cross body lead. In leading this outward turn, the leaders dances in place while the ladies finishes the outward turn. Stay with your original lady thru , only leaving to pick up the new lady on the next pacewith an cross body loop.

Usually with legs apart and snapped together. This is done on the "1" or when the leaders right foot and ladies left come together. On the first 3 count, lift ladies right hand up and turn her outside her right. As she completes turn bring her right hand back down and hold out straight, her left hand is wrapped behind her waist.

On the second 3 count, leaders turn her back the other way, moving her to the right side then looping their right arm over their head leaders right hand to their left shoulder, ladies arm loops over and behind leaders head. Ladies left arm rests on leaders right shoulder, Leaders right hand drops under ladies left shoulder and rests on her back, now ready for cross body lead.

After unwinding out of hammerlock, bring the lady to your right side, around behind, while taking both her hands in your right hand. Reach in the circle, touching the other leaders's hands with your free left hand. Bring the lady back around front and across with a one-handed cross body lead, changing her hands to your left hand to end in the open Rueda position.

Everybody touches hands in the center again. After unwinding out of hammerlock, Leaders lead ladies behind them around their left, and switch hands behind the back.

Continue to lead ladies around the right side, and do a 2nd cross body lead using the right arm in front of them. Switch back to leaders left hand as they cross. Same as above, but after the second cross body lead, Leaders do the above again, but this time over the head and only with the Left hand.

Leaders and ladies all hold hands in one unbroken circle. The leaders dance into the circle on the left foot while the ladies lean out of the circle, still holding on. On the leaders's right foot, pull the ladies to your right past you in front of you, like a cross body lead, only using hands, to your left side. All join hands quickly to form the unbroken circle again, etcetera.

This same pattern can also be done "inverted", with everybody facing out of the circle. Leaders move to the left and catch her on their right side ready for another cross body lead. Ladies can also do two and a half turns if they want. The Rueda either ends here, or hold her four beats to continue. As ladies move to leaders left side, leaders circle around ladies so when they stop spinning they are almost on the leaders right side again.

Leaders hold ladies for 3 counts and can then start another cross body. Leaders stay facing center. When ladies are on the right, ready for cross body. While stomping you should be thinking about getting close enough to the next partner to for a cross body lead. As you turn you switch the holding her right behind Leaders back.

Now leaders continue to turn until facing the lady. The Ladies are on the right, and Leaders are on the left. Next switch places bring her under your right arm. Now she is left side. Pulse and pull her to your right side. Hold her for 3 counts and be ready for cross body. Like doing a basic salsa step to the center. This move can be followed by Treinta y tres. Do this 3 times. Pointing to the right, against the normal direction Used in conjunction with other moves means to reverse the direction you would go to your next partner.

In other words after Enchufle you would turn away from your partner instead of walking around them and walk to the partner in the other direction passing her on the inside. Come around her putting your right hand on her back and cross body. Leaders hold arms, not hands. Continue to dance small steps. Ladies remain sitting on hooked arms. Everyone starts on their left foot on One. Usually followed by Coca Cola. Next bring them to your left beginning cross body , but stop them when they are parallel to center still in tight closed position.

Continue until next call. Leaders lift left hand and push them through towards center. Leaders right side is away from center. As soon as ladies pass under leaders arm, bring arm down and snap them back to leaders right side not under arm.

Be ready for cross body lead. Pick up the neighbor lady. With small Ruedas, you can come close and all touch arms in the center of the wheel. Here you can execute the taro very subtly by exchanging hands almost invisibly in the center of the wheel as you dance.

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Cuban, Rueda de Casino Style Salsa Step Descriptions. When the man steps to the right side, the woman goes forward and under his left arm. Rueda de Casino Basic Combinations Be sure to hold the woman’s hand Latin-hold, do not Patty Cake. "Casino Rueda" or "Salsa Rueda" are English versions of the. Rueda de Casino In the s Salsa In the s Salsa Rueda or more accurately Rueda de Casino was developed in The follower then steps straight forward on 5.

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