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Connery and Brosnan felt right for the style of Bond movies they were in. Here, as suits the overall tone of the film, Bond is much more of a sadist, a cold-hearted killer with very little sense of empathy and Craig, with his piercing eyes, suits the role very well.

He's charming and funny when required and totally convincing in the action sequences. The violence is less cartoon-like and flippant, too, with every punch, kick and shooting looking like they really hurt. Also, the story is just much more engaging than many a Bond film; the script's not going to win awards but it's consistently inventive and intriguing.

Whilst the film has enough of it's fair share of action, the emphasis is equally on character and storyline and less on gadgets and sheer implausibility. When there isn't a huge action sequence happening, you don't miss it: The only minor gripes that I have are a slightly too long running time: However, great directing and performances from everyone involved, along with Phil Meheux's excellent cinematography, Peter Lamont's as ever superb production design and all the other top-notch craft and technical departments make 'Casino Royale' a classy and very enjoyable night out at the movies.

James Bond is back and he is alive and well. Any questions about Daniel Craig's worthiness are thrown out almost immediately as we are handed a film filled to the brim with exquisite action and explosive emotion. I squirmed in my seat with delight as I have not done since I was a child.

For a while it seemed that he might not be able to well exist outside the confines of the cold war, but here we are given an entirely modern Bond with enough nods to the original that we can't be too upset. Maybe it's because this is the last novel yet to be filmed in the traditional Bond manner and it is Ian Fleming who has stolen our hearts not this incarnation of the super spy.

However I like to think that someone actually just got their act together and concentrated on the film itself as opposed to who they could get the most product placement money out of.

James Bond will live on for at least one more generation, and maybe forever. Great set pieces and one of the best chase sequences not involving cars ever put on screen, blended with beautiful locations and even more lovely women add up to the perfect cocktail with the twisting story line acting as the lemon peel in the martini, holding it all together.

Many will come out saying that this is the best Bond film ever and I can not rightly say they are wrong at this point. Only time will tell that tale. However every fan can be assured that this ranks amongst the very upper crust of Bond movies, and Craig is no Lazenby. He lends a harsh wit and a thuggish charm to the character and by the end he's no longer the new guy, he is Bond, James Bond. A masterpiece of popular film-making and the movie we have been waiting for all year. See it early and often as it is sure not to diminish upon reviewing.

For The First Time Now look, I'm a hard-core James Bond fan. Some might say a purist. Last night I saw Casino Royale.

This is, for the first time, the truest interpretation of the character we have ever seen. This film is amazing. From the black and white pre-titles, to arguably the best titles sequence ever.

From the African free-running chase to the beautiful interiors of London. From the stone-cold government killer, to the heart broken lover. Style and sophistication are in abundance. It had been over a year since Jason Statham released a solo film. Which feels like a long time considering he comes out with about 5 films a year. Being a fan of his films, I was looking forward to sitting back on a Friday night and enjoying watching Statham do what he does best and thats kick ass.

I was disappointed because the movie didn't really deliver on what I had expected. I do like his non pure action films like Snatch, Lock Stock, Bank Job, Redemption, but this film doesn't have anything to stand out in terms of story or action.

The cast also looked promising and acting from Statham isn't bad either but doesn't save it from being just plain old boring and average. It falls off by the middle and by the end doesn't hold your interest and isn't a satisfying action film or drama.

When i saw the users review i lost my interest in the movie. But because of the fact that Jason Statham plays in it, i gave the movie a chance. In all honesty this movie has no story whatsoever. It's just a multiple occurrences of different things happening, following Jason Statham's character. It's like the writers managed to create the script for this movie in a couple hours. And that's why it got a lower rating The movie is enjoyable because of the fight scenes portrait in it.

Jason Statham shows some real lethal skills and that's why i loved the movie. Watch this movie without any expectation. But do expect some sick skills from Jason Statham, when fighting. It's sad that someone like Jason Statham, so talented accepts roles in movies like this.

A star like him should be doing something bigger than this. Even seeing Jason in a movie like The raid, would be better than movies like this wild card. Wild Card has been a passion project of Jason Statham's for several years, the actor having even secured Brian De Palma for the director's chair at one point. With De Palma stepping away, Statham enlisted the competent but much less exciting Simon West with whom he'd already collaborated on The Mechanic and The Expendables 2.

West was excited to work with legendary screenwriter William Goldman again after The General's Daughter and assembled an impressive supporting cast around Statham, the likes of Stanley Tucci, Anne Heche, Jason Alexander and many more.

A vastly underrated actor, Statham easily holds his own among these and gives a fine performance as Nick Wild, first played in the original by Burt Reynolds. That picture was a notoriously troubled production that left a sour taste in William Goldman's mouth, but he obviously thought highly of his screenplay, as story-wise, Wild Card plays almost exactly like the original, beat-by-beat.

However, watching the on-screen proceedings it is hard to believe this is the same man responsible for such classics as Butch Cassidy and the Sundance Kid, All the President's Men, The Princess Bride and so many others.

From its top notch cast to its look and pacing, Wild Card feels like it wants to a gritty drama, a moody character piece with bursts of action in the vein of Michael Mann's Collateral, a film with which it shares quite a few characteristics. Unfortunately it never quite reaches the heights of its ambitions, the film being unable to conjure up something special, unexpected, original enough to put it over the top.

That is not to say it doesn't deliver. Without saying much, the film draws you into this world easily and convincingly. The acting is very strong and the characters pretty appealing.

The writing is sharp. Cinematographer Shelly Johnson gives the film a distinctive look and the editing is excellent.

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I was disappointed because the movie didn't really deliver on what I had expected. I do like his non pure action films like Snatch, Lock Stock, Bank Job, Redemption, but this film doesn't have anything to stand out in terms of story or action.

The cast also looked promising and acting from Statham isn't bad either but doesn't save it from being just plain old boring and average. It falls off by the middle and by the end doesn't hold your interest and isn't a satisfying action film or drama.

When i saw the users review i lost my interest in the movie. But because of the fact that Jason Statham plays in it, i gave the movie a chance. In all honesty this movie has no story whatsoever. It's just a multiple occurrences of different things happening, following Jason Statham's character. It's like the writers managed to create the script for this movie in a couple hours. And that's why it got a lower rating The movie is enjoyable because of the fight scenes portrait in it.

Jason Statham shows some real lethal skills and that's why i loved the movie. Watch this movie without any expectation. But do expect some sick skills from Jason Statham, when fighting. It's sad that someone like Jason Statham, so talented accepts roles in movies like this. A star like him should be doing something bigger than this.

Even seeing Jason in a movie like The raid, would be better than movies like this wild card. Wild Card has been a passion project of Jason Statham's for several years, the actor having even secured Brian De Palma for the director's chair at one point.

With De Palma stepping away, Statham enlisted the competent but much less exciting Simon West with whom he'd already collaborated on The Mechanic and The Expendables 2. West was excited to work with legendary screenwriter William Goldman again after The General's Daughter and assembled an impressive supporting cast around Statham, the likes of Stanley Tucci, Anne Heche, Jason Alexander and many more. A vastly underrated actor, Statham easily holds his own among these and gives a fine performance as Nick Wild, first played in the original by Burt Reynolds.

That picture was a notoriously troubled production that left a sour taste in William Goldman's mouth, but he obviously thought highly of his screenplay, as story-wise, Wild Card plays almost exactly like the original, beat-by-beat.

However, watching the on-screen proceedings it is hard to believe this is the same man responsible for such classics as Butch Cassidy and the Sundance Kid, All the President's Men, The Princess Bride and so many others.

From its top notch cast to its look and pacing, Wild Card feels like it wants to a gritty drama, a moody character piece with bursts of action in the vein of Michael Mann's Collateral, a film with which it shares quite a few characteristics. Unfortunately it never quite reaches the heights of its ambitions, the film being unable to conjure up something special, unexpected, original enough to put it over the top. That is not to say it doesn't deliver.

Without saying much, the film draws you into this world easily and convincingly. The acting is very strong and the characters pretty appealing. The writing is sharp. Cinematographer Shelly Johnson gives the film a distinctive look and the editing is excellent. The score is composed by the ultra-talented Dario Marianelli. And then there's the action.

While there are only but a few of them, the action scenes, handled by Hong Kong legend and frequent Statham collaborator Cor e y Yuen, are incredible, exhilarating and eminently memorable. Whilst the film has enough of it's fair share of action, the emphasis is equally on character and storyline and less on gadgets and sheer implausibility.

When there isn't a huge action sequence happening, you don't miss it: The only minor gripes that I have are a slightly too long running time: However, great directing and performances from everyone involved, along with Phil Meheux's excellent cinematography, Peter Lamont's as ever superb production design and all the other top-notch craft and technical departments make 'Casino Royale' a classy and very enjoyable night out at the movies.

James Bond is back and he is alive and well. Any questions about Daniel Craig's worthiness are thrown out almost immediately as we are handed a film filled to the brim with exquisite action and explosive emotion. I squirmed in my seat with delight as I have not done since I was a child. For a while it seemed that he might not be able to well exist outside the confines of the cold war, but here we are given an entirely modern Bond with enough nods to the original that we can't be too upset.

Maybe it's because this is the last novel yet to be filmed in the traditional Bond manner and it is Ian Fleming who has stolen our hearts not this incarnation of the super spy. However I like to think that someone actually just got their act together and concentrated on the film itself as opposed to who they could get the most product placement money out of. James Bond will live on for at least one more generation, and maybe forever.

Great set pieces and one of the best chase sequences not involving cars ever put on screen, blended with beautiful locations and even more lovely women add up to the perfect cocktail with the twisting story line acting as the lemon peel in the martini, holding it all together.

Many will come out saying that this is the best Bond film ever and I can not rightly say they are wrong at this point. Only time will tell that tale. However every fan can be assured that this ranks amongst the very upper crust of Bond movies, and Craig is no Lazenby. He lends a harsh wit and a thuggish charm to the character and by the end he's no longer the new guy, he is Bond, James Bond. A masterpiece of popular film-making and the movie we have been waiting for all year.

See it early and often as it is sure not to diminish upon reviewing. For The First Time Now look, I'm a hard-core James Bond fan.

Some might say a purist. Last night I saw Casino Royale. This is, for the first time, the truest interpretation of the character we have ever seen. This film is amazing. From the black and white pre-titles, to arguably the best titles sequence ever.

From the African free-running chase to the beautiful interiors of London. From the stone-cold government killer, to the heart broken lover. Style and sophistication are in abundance. And I love it. There is only one movie franchise that has twisted, turned and reinvented itself on so many occasions The originally unpopular Craig grinds through this action packed feature with ease and in my opinion proves all of his doubters including me very very wrong..

At last we have another true Bond.. Sharp, sophisticated and as tough as nails

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Wild Card has been a passion project of Jason Statham's for several years, the actor having even secured Brian De Palma for the director's chair at one point.

With De Palma stepping away, Statham enlisted the competent but much less exciting Simon West with whom he'd already collaborated on The Mechanic and The Expendables 2. West was excited to work with legendary screenwriter William Goldman again after The General's Daughter and assembled an impressive supporting cast around Statham, the likes of Stanley Tucci, Anne Heche, Jason Alexander and many more.

A vastly underrated actor, Statham easily holds his own among these and gives a fine performance as Nick Wild, first played in the original by Burt Reynolds. That picture was a notoriously troubled production that left a sour taste in William Goldman's mouth, but he obviously thought highly of his screenplay, as story-wise, Wild Card plays almost exactly like the original, beat-by-beat. However, watching the on-screen proceedings it is hard to believe this is the same man responsible for such classics as Butch Cassidy and the Sundance Kid, All the President's Men, The Princess Bride and so many others.

From its top notch cast to its look and pacing, Wild Card feels like it wants to a gritty drama, a moody character piece with bursts of action in the vein of Michael Mann's Collateral, a film with which it shares quite a few characteristics. Unfortunately it never quite reaches the heights of its ambitions, the film being unable to conjure up something special, unexpected, original enough to put it over the top. That is not to say it doesn't deliver. Without saying much, the film draws you into this world easily and convincingly.

The acting is very strong and the characters pretty appealing. The writing is sharp. Cinematographer Shelly Johnson gives the film a distinctive look and the editing is excellent. The score is composed by the ultra-talented Dario Marianelli. And then there's the action.

While there are only but a few of them, the action scenes, handled by Hong Kong legend and frequent Statham collaborator Cor e y Yuen, are incredible, exhilarating and eminently memorable. Even more to the film's credit, each one is very different, both through their visual and musical presentations. All this makes for a perfectly serviceable film but one unfortunately stuck between two worlds. Which makes it quite a shame that Brian De Palma backed out of the project as his style would have no doubt elevated Wild Card to something pretty fascinating.

Admittedly, I'm a big Jason Statham fan, since he's about the only action star worth watching anymore, but what makes this work is the director doesn't ask too much of him. No big demands on his acting, just let him be himself and show off his martial arts skills -- which, after all, is what we watch him for. Statham plays a compulsive gambler who earns his living in Las Vegas by providing his unique services to people who need help. When a prostitute gets beat up by a "made" man, he sets out to act as a go-between in order to seek compensation.

Complications ensue and he has to fight his way out of trouble. You might complain that the action doesn't really rev up until the last thirty minutes or so and the ending is kind of a cop out, but what does it matter?

It's great to see Statham doing what he does best. Jason, take some advice: Accept it and stick to scripts like this that recognize your limitations and work around them. Jason Statham movies come with certain, modest expectations. Trying to find a middle ground between an action packed Statham vehicle, a '70s style mood piece, and a '90s era character-actor packed crime tale, "Wild Card" is not surprisingly an unsuccessful marriage of those ill-fitting genres that strains to fill the already meagre, barely ninety minute run time with anything of substance.

Bring the Inciting Incident into the story as soon as possible," screen writing guru Robert McKee told Storylink in , and he would certainly disapprove of how long things take to get rolling in "Wild Card. But two people enter his life and shake things. The first is Cyrus Michael Angarano , a quiet, verbose, and wealthy young man who hires Nick to show him around town and double as his bodyguard. What gives this the lead over recent Bonds is the more realistic feel: Yes, the whole franchise is based on an entirely ridiculous and cartoonish notion but the more serious and harder-edged tone works really well here.

In this context, Daniel Craig gives an excellent performance as Bond. I'll be the first to admit that I raised an eyebrow when I heard he was cast but he really makes it his own.

It's hard to say whether he's better than any of the other Bonds: Connery and Brosnan felt right for the style of Bond movies they were in.

Here, as suits the overall tone of the film, Bond is much more of a sadist, a cold-hearted killer with very little sense of empathy and Craig, with his piercing eyes, suits the role very well. He's charming and funny when required and totally convincing in the action sequences. The violence is less cartoon-like and flippant, too, with every punch, kick and shooting looking like they really hurt.

Also, the story is just much more engaging than many a Bond film; the script's not going to win awards but it's consistently inventive and intriguing. Whilst the film has enough of it's fair share of action, the emphasis is equally on character and storyline and less on gadgets and sheer implausibility. When there isn't a huge action sequence happening, you don't miss it: The only minor gripes that I have are a slightly too long running time: However, great directing and performances from everyone involved, along with Phil Meheux's excellent cinematography, Peter Lamont's as ever superb production design and all the other top-notch craft and technical departments make 'Casino Royale' a classy and very enjoyable night out at the movies.

James Bond is back and he is alive and well. Any questions about Daniel Craig's worthiness are thrown out almost immediately as we are handed a film filled to the brim with exquisite action and explosive emotion. I squirmed in my seat with delight as I have not done since I was a child.

For a while it seemed that he might not be able to well exist outside the confines of the cold war, but here we are given an entirely modern Bond with enough nods to the original that we can't be too upset. Maybe it's because this is the last novel yet to be filmed in the traditional Bond manner and it is Ian Fleming who has stolen our hearts not this incarnation of the super spy. However I like to think that someone actually just got their act together and concentrated on the film itself as opposed to who they could get the most product placement money out of.

James Bond will live on for at least one more generation, and maybe forever. Great set pieces and one of the best chase sequences not involving cars ever put on screen, blended with beautiful locations and even more lovely women add up to the perfect cocktail with the twisting story line acting as the lemon peel in the martini, holding it all together.

Many will come out saying that this is the best Bond film ever and I can not rightly say they are wrong at this point.

Only time will tell that tale. However every fan can be assured that this ranks amongst the very upper crust of Bond movies, and Craig is no Lazenby. He lends a harsh wit and a thuggish charm to the character and by the end he's no longer the new guy, he is Bond, James Bond.

A masterpiece of popular film-making and the movie we have been waiting for all year. See it early and often as it is sure not to diminish upon reviewing. For The First Time Now look, I'm a hard-core James Bond fan. Some might say a purist. Last night I saw Casino Royale. This is, for the first time, the truest interpretation of the character we have ever seen.

because truly

It's sad that someone like Jason Statham, so talented accepts roles in movies like this. A star like him should be doing something bigger than this. Even seeing Jason in a movie like The raid, would be better than movies like this wild card. Wild Card has been a passion project of Jason Statham's for several years, the actor having even secured Brian De Palma for the director's chair at one point. With De Palma stepping away, Statham enlisted the competent but much less exciting Simon West with whom he'd already collaborated on The Mechanic and The Expendables 2.

West was excited to work with legendary screenwriter William Goldman again after The General's Daughter and assembled an impressive supporting cast around Statham, the likes of Stanley Tucci, Anne Heche, Jason Alexander and many more. A vastly underrated actor, Statham easily holds his own among these and gives a fine performance as Nick Wild, first played in the original by Burt Reynolds. That picture was a notoriously troubled production that left a sour taste in William Goldman's mouth, but he obviously thought highly of his screenplay, as story-wise, Wild Card plays almost exactly like the original, beat-by-beat.

However, watching the on-screen proceedings it is hard to believe this is the same man responsible for such classics as Butch Cassidy and the Sundance Kid, All the President's Men, The Princess Bride and so many others. From its top notch cast to its look and pacing, Wild Card feels like it wants to a gritty drama, a moody character piece with bursts of action in the vein of Michael Mann's Collateral, a film with which it shares quite a few characteristics.

Unfortunately it never quite reaches the heights of its ambitions, the film being unable to conjure up something special, unexpected, original enough to put it over the top. That is not to say it doesn't deliver. Without saying much, the film draws you into this world easily and convincingly.

The acting is very strong and the characters pretty appealing. The writing is sharp. Cinematographer Shelly Johnson gives the film a distinctive look and the editing is excellent. The score is composed by the ultra-talented Dario Marianelli. And then there's the action. While there are only but a few of them, the action scenes, handled by Hong Kong legend and frequent Statham collaborator Cor e y Yuen, are incredible, exhilarating and eminently memorable. Even more to the film's credit, each one is very different, both through their visual and musical presentations.

All this makes for a perfectly serviceable film but one unfortunately stuck between two worlds. Which makes it quite a shame that Brian De Palma backed out of the project as his style would have no doubt elevated Wild Card to something pretty fascinating.

Admittedly, I'm a big Jason Statham fan, since he's about the only action star worth watching anymore, but what makes this work is the director doesn't ask too much of him. No big demands on his acting, just let him be himself and show off his martial arts skills -- which, after all, is what we watch him for. Statham plays a compulsive gambler who earns his living in Las Vegas by providing his unique services to people who need help. When a prostitute gets beat up by a "made" man, he sets out to act as a go-between in order to seek compensation.

Complications ensue and he has to fight his way out of trouble. You might complain that the action doesn't really rev up until the last thirty minutes or so and the ending is kind of a cop out, but what does it matter? It's great to see Statham doing what he does best. Jason, take some advice: Accept it and stick to scripts like this that recognize your limitations and work around them.

Jason Statham movies come with certain, modest expectations. Trying to find a middle ground between an action packed Statham vehicle, a '70s style mood piece, and a '90s era character-actor packed crime tale, "Wild Card" is not surprisingly an unsuccessful marriage of those ill-fitting genres that strains to fill the already meagre, barely ninety minute run time with anything of substance.

The movie as a whole is extremely entertaining and exciting. The acting is awesome Eva Green actually does a great job and has really improved her acting from the last time i saw her in kingdom of heaven , but then this is a totally different movie. There's a lot of action mixed with great story which i am sure will please the true Bond fan.

Please go and watch this because you will regret if you don't, forget the past this is the New Bond. I saw this at a cast and crew screening in London last weekend: I'm not a huge Bond fan, but I do enjoy them on a purely popcorn level and this was definitely one of the best in recent memory. The tone is much edgier and nastier than the Brosnan movies, harking back more to Dr.

No or For Your Eyes Only. The action sequences are brilliantly shot and edited for maximum impact and are some of the best out of any Bond movie. Martin Campbell, who also made 'Goldeneye', was an excellent choice and, for me, is one of the best Bond directors. What gives this the lead over recent Bonds is the more realistic feel: Yes, the whole franchise is based on an entirely ridiculous and cartoonish notion but the more serious and harder-edged tone works really well here.

In this context, Daniel Craig gives an excellent performance as Bond. I'll be the first to admit that I raised an eyebrow when I heard he was cast but he really makes it his own. It's hard to say whether he's better than any of the other Bonds: Connery and Brosnan felt right for the style of Bond movies they were in. Here, as suits the overall tone of the film, Bond is much more of a sadist, a cold-hearted killer with very little sense of empathy and Craig, with his piercing eyes, suits the role very well.

He's charming and funny when required and totally convincing in the action sequences. The violence is less cartoon-like and flippant, too, with every punch, kick and shooting looking like they really hurt. Also, the story is just much more engaging than many a Bond film; the script's not going to win awards but it's consistently inventive and intriguing. Whilst the film has enough of it's fair share of action, the emphasis is equally on character and storyline and less on gadgets and sheer implausibility.

When there isn't a huge action sequence happening, you don't miss it: The only minor gripes that I have are a slightly too long running time: However, great directing and performances from everyone involved, along with Phil Meheux's excellent cinematography, Peter Lamont's as ever superb production design and all the other top-notch craft and technical departments make 'Casino Royale' a classy and very enjoyable night out at the movies. James Bond is back and he is alive and well. Any questions about Daniel Craig's worthiness are thrown out almost immediately as we are handed a film filled to the brim with exquisite action and explosive emotion.

I squirmed in my seat with delight as I have not done since I was a child. For a while it seemed that he might not be able to well exist outside the confines of the cold war, but here we are given an entirely modern Bond with enough nods to the original that we can't be too upset.

Maybe it's because this is the last novel yet to be filmed in the traditional Bond manner and it is Ian Fleming who has stolen our hearts not this incarnation of the super spy. However I like to think that someone actually just got their act together and concentrated on the film itself as opposed to who they could get the most product placement money out of.

James Bond will live on for at least one more generation, and maybe forever. Great set pieces and one of the best chase sequences not involving cars ever put on screen, blended with beautiful locations and even more lovely women add up to the perfect cocktail with the twisting story line acting as the lemon peel in the martini, holding it all together. Many will come out saying that this is the best Bond film ever and I can not rightly say they are wrong at this point.

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